© AI Training forbidden - Selected Reviews of Chopin performances and Other Matters in Poland

 Bust of the Australian pianist Edward Cahill (1885-1975) dated 1936 by Felix Weiss (born Felix Weiss de Weldon 1907-2003)  For many years I have had a bust of the pianist Edward Cahill in my study (my current biographical project - see multiple postings). The bust is in plaster painted to appear like bronze. It has suffered many vicissitudes over the last 75 years. The fragile bust had an interesting history as it survived the bombing of Central London during World War II in a hatbox under the bed of 'a certain  lady'. Her house was severely damaged, almost completely destroyed, but the head survived. Eddie always referred to it as 'The Royal Head'. It is rather a beautiful and artistic production but the name of the sculptor inscribed on the base -  Felix Weiss 1936 (1907-2003) - meant little to me.  Felix Weiss sculpting the head of Edward Cahill, London 1935. Photograph taken from The Courier-Mai l (Brisbane, Qld. : published 19...

Bernado Bellotto, called Canaletto - View of Warsaw from the Praga district, 1770 A wonderful concert tonight in Bialystok. Kevin Kenner at his very best. The Orchestra of the Podlasie Opera and Philharmonic Marcin Nałęcz-Niesiołowski – conductor Kevin Kenner – piano (Great Britain) Programme: I.J. Paderewski – „Polish Fantasy on Original Themes”  for piano and orchestra, Op. 19 * * * I.J. Paderewski – Piano Concerto in A minor, Op. 17 Paderewski cartoon - his hair was a gift to satirical draughtsmen November 11 is a day of profound symbolic significance in Poland rather than the actual date when independence was formally declared - modern Polish history evolves over time  rather than happens in discrete events - if you see what I mean. Six 'minor' wars were fought concurrently following that day but this is not the place nor am I the person to examine this - consult your Norman Davies or Adam Zamoyski. Many people con...

Covering the competition was a difficult task that grew uncontrollably like a Triffid but it was worth ordering my ideas on what I was hearing day after day. Writing all this material forced me to think after each day's miracles rather than collapse with a scotch on the sofa at home in an envious blue funk. Please read my concluding remarks at the end of the competition posting (to do with the results and especially Trifonov) and also my reservations about the competition itself which appear at the very beginning of the post.  I tried to be fair to everyone – no pianist in this competition could possibly be 100% bad – I tried to give a balanced and just view of as many artists as I could - positive and negative characteristics. It was not intended as a technical musicological commentary or analysis of a 'faithful' or 'unfaithful' performance according to Chopin's score and the National Edition. These were simply general personal impressions of pianis...

Please Click on Photographs to Enlarge - a far superior result  Chopin in the Drawing Room of Prince Antoni Radziwill, Henryk Siemieradzki 1887 And so the 16th International Fryderyk Chopin Competition begins in Warsaw, arguably the most important event in the Chopin Year 2010. It runs from 30 September - 23 October 2010 I can hardly believe that five years have passed since I attended every single performance by every pianist in 2005. I shall not be doing that again this year. I have heard rather too much Chopin already in this bicentenary year. In 2005 I found the decision of the jury and the politicking as the pianists moved from stage to stage absolutely inexplicable to the point of questioning my own musical judgement. I now know a great deal more of what transpires ‘behind the scenes’ at this competition and I am afraid it is not as straightforward a contest as it appears. I have a suspicion that many young pianists of outstanding talent a...