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The Pocket Paderewski : The Beguiling Life of the Australian Concert Pianist Edward Cahill

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In light of the enthusiasm for the new fashion exhibition Christian Dior: Designer of Dreams which opened at the Victoria & Albert Museum in London on 2 February 2019, I thought I might mention my recently published biography of the concert pianist and Chopin 'specialist' Edward Cahill (1875-1975). Also relevant is the recently published and highly popular and entertaining  The Quest for Queen Mary by James Pope-Hennessy (Hugo Vickers ed.)  Hodder London 2018. Both the exhibition and the book deal with the very same society in which my great uncle moved as a celebrity. As Pope-Hennessy  points out, a largely forgotten generation today. Apart from time spent giving the first recitals of Chopin  in 1919  to Maharajahs in India and the King of Siam, he gave recitals in London, Paris and the French Riviera during its golden age. Under the patronage of his supporter Dame Nellie Melba, for a long period of his life he befriended and entertained members o...

Yu Kosuge / Paul Goodwin - National Philharmonic Orchestra, Warsaw - 25 January 2019

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Snow was falling in Warsaw, the night punishingly cold. The ground was covered in ice and slush thoughtlessly thrown up from the tarmac by black Mercedes speeding past. How pleasant to arrive for a concert with time in hand and able to look forward to a warming cup of green tea and the best  Napoleonka  in the world. This traditional indulgence of mine consists of a small square of deliciously thick Polish vanilla custard cream sandwiched between two layers of  puff pastry and dusted with icing sugar. Also known as a  kremówka,  the combination with green tea is a perfect relaxed emotional preparation for a winter concert in the warm Philharmonic concert hall. I have given in to this sensual, indulgent ritual for years. The concert was an attractive programme of classical symphonies and a Mozart piano concerto with the the gifted and acclaimed young Japanese pianist Yu Kosuge. She has played with all the major Japanese orchestras and ...

Divine Intervention – Leipzig and the Ring of Bach Cantatas, 8 – 10 June 2018

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The grave of Johann Sebastian Bach in the Thomaskirche, Leipzig,  at the time of the Kantaten-Ring June 2018 Although not strictly about Chopin, you may like to read in depth about the extraordinary cycle of Bach Cantatas I attended last summer. Johann Sebastian Bach was the composer above all others, except Mozart, whom Chopin adored and who influenced the polyphony and structure of many of his compositions https://michael-moran.org/2019/01/23/divine-intervention/

Ryszard Peryt (1947-2019) - A fond recollection of an immense opera directorial talent

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Ryszard Peryt  (1947-2019) The Director of the Polish Royal Opera, Ryszard Peryt  (1985 - 2005) , has died. For twenty years  he was the Director of the Warsaw Chamber Opera.  His magnum opus was the production of all the stage works of Mozart. In 1991 t wenty-five of these works were created to commemorate the 200th anniversary of the composer's death, at the time a unique European project. Annual Mozart festivals and cycles followed. Not only operas by Mozart but also   Baroque operas by Peri, Caccini and Landi through an unforgettable Monteverdi cycle, a Handel festival and rarely performed work by John Blow, Henry Purcell and numerous others. His international  directorial reputation was outstanding. Here was a truly Renaissance man in many outstanding disciplines - director, actor, doctor and professor of theatre arts, lecturer at the Theatre Academy of Warsaw. He had been presented with many prestigious Polish cultural awards in...

London Symphony Orchestra and Sir Simon Rattle - Wrocław - 16 January 2019

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Narodowe Forum Muzyki (NFM)   Wrocław, Poland Not surprisingly, Polish concert audiences after years of musical drought continue to yearn for and hugely anticipate performances by great international orchestras and conductors. Such visits to the country are still not common although increasing as time passes and Poland slowly takes its place once more in the European musical firmament.   Understandably then, the acoustically magnificent and architecturally striking NFM ( Narodowy Forum Muzyki ) in Wrocław was sold out for the London Symphony Orchestra conducted by their new musical director Sir Simon Rattle. The programme was an imaginative pairing of works by Béla Bartók and Anton Bruckner. The commissioning of the   Music for Strings, Percussion and Celesta by Bartók reflects a change in   society. No longer the nobility and aristocracy enabling the composition of a great musical work. On this occasion corporate wealth was the facilitator. In 1934, the Sw...