Taking a Contemplative Rest from Musical Criticism - Michael Moran
Julius Schmid (1854-1935), Schubertiade (1897) to celebrate the Schubert centenary I seem to have become a complete musical, critical anachronism in 2026. A redundant figure in a polarized world. I must admit to having almost completely lost confidence in the usefulness and even appreciation of my rather long, perhaps all too personal, assessment of music recitals and concerts. Paragraphs based on fading ideals and values, the sheer speed of change. However, I do feel that there is an international utility and historical record in my reviews. There are written in English, the lingua franca of the planet, however you may feel today about that form of linguistic, colonial 'imperialism'. Music is such an ephemeral art, surely some record of great past performances needs to be retained. Otherwise, a performer tends to be only as good as their last performance or recording. Many concerts, competitions and recitals can now be watched over the internet online, worldwide or listen...