Mozart Requiem in the Church of the Holy Cross in Warsaw tonight to commemorate the death on 17th October 1849 of that great musical genius Fryderyk Chopin.
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| Watercolour and pencil drawing of Chopin on his death bed by Teofil Kwiatkowski. The painter was a witness to his last hours and death and drew a number of likenesses |
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The plinth in which the heart of Fryderyk Chopin has been laid Holy Cross Church, Warsaw |
This work takes you into the realms of the deepest conception of mortality (especially now, in real time, with our constant sight of daily horror, death and destruction in the Ukraine conflict, the war in Iran, millions displaced in Sudan, the scattered entrails of the authentic hell of Gaza and now violence of the streets of France and Albania.
Yes, the universality of death comes to us all but never seems not to dissuade some national leaders from embracing it repetitively and murderously with vengeance.
These realms of internal feeling are not touched in such an intimate manner as tonight by the customary massive orchestral/choir original score, that work of immense, tragic grandeur we are all familiar with, the masterpiece known as Mozart's Requiem.
My imagination and human empathy were moved beyond calculation into the fluid landscape of human emotion and suffering in the face of death, taken there by the consoling universality of Mozart and Chopin, their sublime music, destiny and expression of grief. And tonight the element of the betrayal of Judas in the Garden of Eden additionally entered the portrait of Ukrainian horror.
There were some extraordinary moments where expressive polyphony, cantabile phrasing and internal details not normally heard, came poignantly into the musical foreground.






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